The original trilogy of Star Wars films, spearheaded by George Lucas were critical and commercial successes. However, in 1997 Lucas released the “Special Edition” of the films for the trilogy’s 20th anniversary, which featured extensive changes to the original theatrical cuts.
The original cuts have since become scarce. However, a group of Star Wars fans, known as Team Negative One have reportedly almost completely digitally restored the original cuts in 4K using 35-millimeter prints of the original trilogy.
The project is headed by Robert Williams, who along with his team have spent almost a decade restoring the films.
“They’re not really upset that he made the changes, because some of them are pretty cool and actually make the films better. They’re really upset that he didn’t also release the original version alongside it. Just put two discs in the box. We’d have been happy.”
Williams made the above statement to The New York Times, explaining the motivation behind preserving the original cuts of the trilogy. However, the publication also noted that Team Negative One’s activities were not authorized as they worked with film reels meant to be destroyed or returned. Hence, the legality of Team Negative One’s restored versions of the original trilogy is questionable.
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Given Lucas’ strong feelings about the Special Editions, it is evident that the filmmaker would be unhappy with fans trying to preserve the original cuts, which he referred to as “rough drafts” in the past.
According to reports, Lucas allegedly voiced his disappointment with fans demanding a high-resolution release of the original cuts in the following words:
“Grow up. These are my movies, not yours.”
Similarly, when the National Film Registry aimed to preserve 1977’s Star Wars (later retitled Star Wars: Episode IV – A New Hope), Lucas reportedly refused to provide them with a copy of the original theatrical release.
Lucas stated that he would no longer authorize the original version’s release, reaffirming that he did not intend for the audience to view the theatrical cuts. After Disney acquired the franchise, Lucasfilm President Kathleen Kennedy also stated that Lucas’s changes to the theatrical cuts would remain untouched. Hence, it is safe to say that Lucas would certainly be unhappy with fans still trying to preserve the original cuts.
I was initially unsure of your analogy, ready to disagree. But continued reading to see where you were going.
As a car buff, yea, it’s a great comparison. I really do prefer the original modified version of a car… Sometimes the re-do of a mod is too perfect, lacks something, part of it’s character is gone.
There’s something about the older, imperfect version. Where the shifter didn’t work perfectly, so grabbing third had to be done “just so”.
It leaves room for me, the human element - just like “imperfect” special effects leaves room for human imagination to fill the gaps.
The biggest thing to me is that he just doesn’t realize, or maybe doesn’t accept, that those same little kids who strolled by his car in 1977 formed core memories that are meaningful to them, just as his build process was to him. I would be much more sympathetic to Lucas if it were a car, because it would be the only one.
Even now, Disney would fall all over themselves to find a way to make more money off Star Wars without having to go to the expense of actually making more Star Wars. The only two options here are that holding it back was part of the contract, or it’s part of the soft understanding to maintain goodwill with him. If George Lucas would give his blessing to a restoration project, I have no doubt an official one would proceed. All he has to do is acknowledge that the fans who want the “bad version” love it for their own valid reasons, and it can openly exist alongside his preferred vision.