I wonder if it’s actually going to be 24 Jump Street: Foreign Exchange Students like in the end credits of the last one. And those went up to 43 Jump Street (not counting 2121 and Infinity). It would have been doubly hilarious if they’d skipped to 44!
I don’t know, I wouldn’t want to lose the light falling on the right of the white cloth. I think a square crop is the way to go for this one. (Yes it’s not perfectly square, I’m on my phone, best I can do at the mo. 😆)
Acquiring Hackers is never a cause for shame!
I am always grateful for all your beautiful shots of my hometown that I miss so much.
I got to that part the other day and I was curious to spare him just to see what would happen but I couldn’t bring myself to do it. Did a manual save point and killed him, then reloaded the save and did it again. No regrets.
Oh yeah, gimme dat corn, mayo, potato with option of shrimp or squid on it baybeeee! 😋
“A Bird of Prey IS a starship, ptaQ!”
So are you like able to play games literally every day? If so, then I know it’s at least possible and I have something to live for.
That art style is sweet!
The soundtrack was really outstanding wasn’t it? There were several points where I was like, oh damn, this moment has some weight to it, thanks to the music!
I mean DS9 and VOY were shot on film and edited/finished on Beta, just like TNG was. The same restoration processes could be used for them too if they were sure they’d make up for it in sales.
EDIT: Several BTS shots starting here showing the Panavision cameras used (though you can also just tell from the tonal range of the images in the show, there’s no video camera that was capturing that in the 90’s).
Leslie Knope would’ve knocked this out of the park!
I freaking love it even though it’s punishingly difficult at times. Everything will be going fine then a couple unlucky developments and you’re in the shit. Gives you an all new appreciation of what Janeway had to deal with. 😆
The bg music is a little lame but I just turned off the in-game music and put on the VOY soundtrack collections in the background and it feels great.
In Japan, still Ontario from here too.
I dreaded the musical episode and I was wrong, it was fantastic. I dreaded the Lower Decks crossover episode and I was wrong, it was fantastic. I dreaded this episode and unfortunately, this time it was even worse than I feared.
I’ll admit, it was well made, the technical and performance sides of the puppets were outstanding and I genuinely laughed out loud on several occasions, but holy hell was it cringe from start to finish. Is this what anyone wants from ST??
I was so relieved that
it was at least ‘excused’ from canon by being a dream
but ffs, did we really need to waste what precious time is left with this series on… this??
The biggest weakness of Kurtzman’s era was that he granted way too much freedom to people’s ideas. Exploration and growth are of course necessary if Star Trek is going to survive (Even the 90’s shows got flak: DS9 stayed in one place and didn’t explore like the Enterprise, Voyager was going the “wrong direction” by coming home instead of going outward), but any artist will tell you that self-imposed restraint is what makes any work really spark. Some ideas should be rejected because they just don’t fit somehow and I’m shocked that no one realized it enough to put their foot down in this instance.
I realize that this was this season’s obligatory hijinks episode (the previous entries of which I generally liked and in the case of Spock Amok loved), but for me this one didn’t just cross the line, it jumped the shark.
Anyway, thanks for coming to my TED talk. 😅
I thought you were making a wooden Enterprise and this was the neck connecting to the secondary hull. My disappointment is immeasurable. 😆
Hey, his ring has a Starfleet insignia, it’s regulation! Everyone just chill out!