I wouldn’t necessarily say that they are not woke. If it maximises their returns, they will definitely do anything they think will get them the woke crowd’s money (see also the shoehorned lesbian kiss in ep9). They will also do their best to get the money of the anti-woke crowd (see also: removing the black man from posters; keeping the lesbian kiss contained to five easily cuttable seconds for certain releases).
It’s more correct to not think of them as woke nor not woke, they are just whoring themselves out to whomever they believe they can get to bring them the largest amounts of money (see the company’s history of political donations).
The thing is that, depending on your tastes, there’s a good chance at least some of the new content will appeal to people, but I do absolutely understand getting that bad aftertaste every time you remember that it all leads canonically into those three movies and … nyeeeerrrrgghhh.
By the way, it seems that even a good portion of the producers seem to at least partially share that feeling, which makes it doubly sad that disney is making almost everyone shoehorn in some hint of retroactively created foreshadowing with the goal of explaining that no, palps returning that way isn’t the ass-pull it obviously was at all, nuh-uh!