• supersquirrel@sopuli.xyz
    link
    fedilink
    arrow-up
    0
    ·
    6 months ago

    There are a myriad of reasons we are on the shitty timeline, but a non-insignificant one to me is how terrible classic sci-fi writers were at writing humans rather than planks with faces drawn on them that periodically state the author’s views on something. The focus of sci-fi on massive space operations and colonization of other planets from the beginning was warped by a dis-interest from sci-fi writers in the positive potentialities within the human psyche that are outside the grasp of cynical structures of power and control, the part of ourselves that just wants to tend a garden in their backyard and nothing more.

    I think this has lead to very hollow visions of the future that were well suited to becoming the basis for people like Elon Musk’s world view. Sci-fi looked to the stars and tried to see into the future while ignoring the one thing we can count on about the future, humans will still be humans.

    (I know this is a generalization and isn’t true as a rule)

    • UnderpantsWeevil@lemmy.world
      link
      fedilink
      arrow-up
      1
      ·
      edit-2
      6 months ago

      That and also Modern Western Sci-Fi tends to wave away all the hard parts of engineering, politics, and economics when it comes to actually doing the thing.

      How did Heinlein assume we’d colonize the Moon in “The Moon Is A Harsh Mistress”? Oh, don’t worry. We just bootstrapped ourselves up there Ayn Rand style.

      How did Kirk and Picard and Janeway find themselves on Galaxy Class Starships traversing the deep corners of distant space? Well, first we did a quick global super-holocaust because of genetically engineered racism (don’t ask the finer details of that) and then we just… got better and turned Earth into a Utopia.

      Maybe you buy into the more Posadist vision of First Contact, where a few starving refugees accidentally broke the luminal barrier with a rocket they assembled from spare parts. But the truly hard parts - the laboriously assembly and re-learning of scientific knowledge by each new generation, the failed bluesky research projects and dead-end engineering projects, the accumulation of trust between individuals within a state and states within the world necessary to mobilize materials and labor for these grand mega-projects - largely get breezed over.

      An epic spaceship battle with the Trisolarians is, after all, far sexier to put on screen than a bunch of scientists grappling with the mathematics behind three spheres floating through space. So the old Asimov-style of SciFi as a series of entertaining word problems falls away, to be replaced by the Science Fantasy of Space Wizards and Warp Cores and Time Traveling Monkeys.